Dr Peter Lovatt

Psychologist & Dancer
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Dance Doctor, Dance!
Edinburgh Festival Fringe 2010

 

The film on the left was shot at a rehearsal by Digby Lovatt and Sue Green and edited by Sue Green for DanceToThis.com.  The film on the right was shot and edited by Sabine Klaus  www.creationeditor.co.uk

Dance Doctor, Dance! Media Coverage

(click links to play the clips)


See the video here

Tommy wrote: "IF actions speak louder than words, then make yourself heard this lunchtime. Dance the way (aha, aha) you like it. The challenge is simple - express yourself through the medium of dance, then upload your pictures and videos to the Oasis Facebook page.

I caught up with Dr Peter Lovatt - a Reader in the Psychology of Dance at the University of Hertfordshire - who explained what certain movements mean.

I then joined him for a boogie in the street to plug his Dance Doctor, Dance show at the Edinburgh Fringe.



Interviewed by Claudia Winkleman on the Arts Show (BBC Radio 2, broadcast Friday 13th August at 10.40pm)

ZDF: Shown on German TV: a piece filmed both during the show and during our fun sessions on the Royal Mile. Broadcast Thursday 12th August. Dr Dance was the final piece in this film so scroll to the end.


The Herald: Dance Like No-one's Watching. Published 9th August.
 

Reviews

Dance Doctor, Dance!
Thursday, 12 August 2010

Bedlam Theatre (venue website)
6-28 Aug, 6:50pm (7:40pm)
Reviewed by Richard Stamp

Dance, my dear doctor?  That's the last thing I shall do.  So I thought, anyway, as I headed into this most unusual of all Fringe shows; but by the end of the hour, Dr Peter Lovatt had me stomping, clapping, throwing John Travolta poses… and most crucially, for the first time understanding why this is all such fun.

Resplendent in orange corduroy jacket (I think it was ironic), genuine academic Dr Lovatt delivers a genuine academic lecture, albeit one punctuated by a fair bit of dad-dancing and a bit of a jiggle for the crowd.  The ice-breaker’s a simple hand-jive which, we’re told, can increase our creativity.  I was sceptical, of course – but we’re given a way to test the claim, and it really did work on me.

Throughout the hour-long talk, the science bit’s made digestible through Dr Lovatt’s personable dry humour, augmented by a selection of amusing visual aids.  A You’ve Been Framed style video of some truly appalling moves led into, for example, a detailed exploration of just what those moves said about the person doing them.  It’s so much fun it’s easy to forget you’re being educated – but the psychology behind it all was well-explained, and made perfect sense to me.

If I've one reservation, it's over the short section of "proper" dance thrown into the middle.  Illustrating the rather obvious point that movement could communicate emotion, it was an oddly highbrow adjunct to a show which was, in the main, about waving your arms around on the disco floor.  That takes nothing away, though, from the dancers themselves – who proved equally willing later on to lead the audience in a sign-off number, which the whole room seemed excited to join in.

The show’s over-arching message is that dancing together is food for the soul, and it's a shame the good doctor – despite bringing his show to Scotland – makes no reference to our own culture of the ceilidh.  But I’ll remove those chips from my shoulders: wherever you’re from, you’ll find this an informative and entertaining hour.  It's brave of the Bedlam to give a prime-time slot to what's essentially a popular science lecture, but, oh baby – they’re playing my tune.





Doctor of dance delving deep into artform


Peter Lovatt actually is a doctor of dance: he heads up the Dance Psychology Laboratory at the University of Hertfordshire. Given a biography that includes stints as a ballet dancer, cruise ship entertainer and expert-for-hire on The Graham Norton Show, Dance Doctor, Dance! was never going to be a straightforward piece of choreography.


‘The show is based around five areas we research in the lab,’ explains Lovatt. ‘Dance and thinking, dance and emotions, feelings in dance, dance and hormones, and dance and health.’ Along the way, the audience help Lovatt to examine the way dance affects our thought processes, and will be taught simple dance routines from the comfort of their seats.


‘Those in the audience who want to strut their funky stuff with me can do so,’ says Lovatt, ‘and I’ll show them how our genetic and hormonal make-up can influence how we dance at discos, weddings and at nightclubs.’

Bedlam Theatre, 225 9893, 8–28 Aug, 6.50pm, £9 (£7). Previews 6 & 7 Aug, 6.50pm, £8 (£6).



Dancing with a Fish




A fish, a mouse and Dr Dance dancing in the street outside the Bedlam Theatre.


The Dance Doctor, Dance! Week 1 Flyering Crew 


 

Top Left: Carine (left) & Nuriye (right). Carine is a PhD student working with Peter at the University of Hertfordshire. Nuriye is also a PhD student except working with Dr Nick Troop also at the University of Hertfordshire.

Top Right: Lindsey Lovatt (Mrs Dance) is Dr Dance's wife who is managing the show and Peter.

Bottom Left: Digby Lovatt (Dr Dance Jr.) is Dr Dance's son who has come to be chief flyerer and chief dance demonstrator.

Bottom Right: This is a cheesy picture that Peter didn't want to appear on the website but Digby, who is also the chief website designer, insisted that it went on.

 


Following our Dress Rehearsal on the 29th July we asked people: "How would you describe this show in one sentence?" Here's what people wrote.

"Taking your mind for a dance"

"You learn, you dance, you laugh"

"Become a dance-master!"

"All you ever wanted to know about dance but could never ask"

"How you dance is who you are, how you think and what you want - fascinating"

"Fantastic, Fun, about dance with audience participation"

"It was fun, informative and thoroughly enjoyed audience participation"

"About how dance can effect your daily life"

"Really fun, learn about dancing and have a good laugh"

"Communicating the science of dance in a fun way"

"What you didn't know about what you do on the dance floor"

"A fusion of fun and science"

"Brought the true feeling of dancing to everyone - great fun"

"The dynamics of dance and movement"

"Fun and informative, really enjoyed it"

"Having fun while you dance"

"FUN, FUN, FUN - its about dancing"

"Different, stimulating, interesting and fun"

"Informative and fun. Learn how dance is good for you"

"Very enjoyable, very good, pleasure to watch/to be part of"

"Very enjoyable, fun and very much in touch with the scientifics of dance on health and love"

and finally

"Brilliantly funny and wacky while being interesting and educational!"




Every show will feature a special 3 minute "23 Feelings in Dance" spot, where different groups of dancers will perform.



23 Feelings in Dance



Schedule of Performances


Edinburgh Festival Fringe 2010


Friday 6th August: Susan Harvey (Tap Kids). Title: Connect


Tap Kids is a group tap dancers. The group is just under a year old and usually has 14 members ranging in age from 7 -16. Tap Kids are based at the Starlet Dance Studios in Dunfermline.
 






Saturday 7th August: Anne Marie Hashrup Kristensen. Title: Fall


The piece 'Fall' is choreographed by Anne Marie Kristensen, a Danish student at London Contemporary Dance School. The two dancers, John Ross and Harriet Bailey, have played a big part in the process of creating this duet, in which they are growing up but unfortunately they are growing out of their close friendship as well. Frustration builds as they realise that they need to confront reality.
The piece will be shown on August 7th in the Bedlam Theatre at 7pm.
For more information send an email to rie.kristensen@gmail.com.


Sunday 8th August: Choreographer: Emma Jayne Park. Dancer: Sean Robinson (Black Swan Dance Theatre)


http://www.blackswandance.co.uk/


The Black Swan Theory denotes high impact, hard to predict, and rare events beyond the realm of normal expectations which play a dominant role in changing the course of everyday thought.  With the aim of living up to its' namesake Black Swan Dance Theatre was formed by Emma Jayne Park in July 2008 to develop limitless, uncompromising and accessible dance work. 


Monday 9th August: Choreographer: Hannah Chalut. Title:  Circle of Light


Dancers: Lucy Cobb, Shery Huang, Sophia Roberts



Open Air Dance and Performance was founded in 2001 in the Raleigh/Durham area of North Carolina, where we performed locally, with the American Dance Festival, and at locations across the east coast.  Working in a dancer driven capacity, our projects highlight the role of individual performers, utilizing their unique characteristics to open up the human condition.  Refusing to be boxed in by the notion of “dance”, OADAP actively engages spoken word and sound, theatrical devices, found art, visual mediums, and ritual outlines to breathe life in to each work.  We have recently relocated to England and invite you to follow us in our deeply moving and joyous performances.



 



Tuesday 10th August: Choreographer: Hannah Chalut. Title:  Circle of Light


Dancers: Lucy Cobb, Shery Huang, Sophia Roberts



Open Air Dance and Performance was founded in 2001 in the Raleigh/Durham area of North Carolina, where we performed locally, with the American Dance Festival, and at locations across the east coast.  Working in a dancer driven capacity, our projects highlight the role of individual performers, utilizing their unique characteristics to open up the human condition.  Refusing to be boxed in by the notion of “dance”, OADAP actively engages spoken word and sound, theatrical devices, found art, visual mediums, and ritual outlines to breathe life in to each work.  We have recently relocated to England and invite you to follow us in our deeply moving and joyous performances.


 For more information, please contact Hannah: openairhannah@yahoo.com



Wednesday 11th August: Choreographer: Negotiationofspace and Dwayne Simms : Title: Wordup. Dancers: Negotiationofspace and Dwayne Simms



negotiationofspace is the exploration of the nature of twins from the inside out. we are hannah and amy, individual yet always intertwined. our work involves movement and visual art. www.negotiationofspace.net <http://www.negotiationofspace.net>

D’wayne Antony
Is a Dance Artist/ Choreographer 
Dwayne trained at the Northern School of Contemporary Dance  and graduated in 2010.
He has worked with Tiia Ourilla, Andile Sotiya, and Douglas Thorpe on their Leeds-based summer project; RODA , a collective of professional dancers committed to research and development.   In 2009 Dwayne worked with David Hernandez at the Impulstanz Dance Festival in Vienna  taking part in “Movement Logic & Elastic Choreography” workshops. He uses Photography. Sculpture. Text and Textiles to ignite his creative processes.  Whether collaborating with other art forms or sharing his work in unusual places, D’wayne’s  work’s are the bearers of something fresh and engaging for the Audience and sensitizes the whole body. There is an essence of European flavour with his experimental approach to composition, and the way in which he uses the  performance space .



Thursday 12th August: Jane Turner


Friday 13th August: Spiral Dance (Video Screening)



Saturday 14th August: Ruth Mills. Tittle: TOGETHER (A solo)


Ruth Mills 


“I am a dancer. I make dance, I teach dance, I dance. I am on a mission to get the whole world dancing!” 


A former national team gymnast, Ruth went on to train at London Contemporary Dance School. Glasgow born and based Ruth, now teaching master classes and workshops, choreographing and dancing in Scotland and internationally. She has worked with Gilmore Productions, Smallpetitklein Dance Company, Martial Dance, London Dance Ensemble, TAG Theatre Company, The Tron Theatre Glasgow, The Citizens Theatre Glasgow. Currently Artistic Director to Glasgow Community Dance Theatre, resident teacher with Dance House Scotland and Scholar of Dance History and philosophy.


Her passionate commitment to dance for the community is evident in her work with Dance House, Ankur Productions and Maryhill Integration Network. The latter leading to a performance at our Scottish Parliament in 2009.


Ruth teaches professional level master classes and has been guest to The Space (SSCD), RSAMD, GAMTA and Project Y (Scottish Youth Dance Company). An interest in making dance for film led Ruth to train in photography and digital video editing. since collaborating on film and video projects with, Martial Dance, ANKUR Productions, Interdependent Records and independent musicians, dancers and artists.
 
Committed to dance in all it's forms and for all people.


Contact: ruthmillsdance@live.com

Web: http://ruthmillsdance.blogspot.com/


Sunday 15th August: Sabine Klaus. Title: Back to My Roots


Sabine Klaus Creation Editor has performed internationally for more than ten years starting up on her own while she was still at school. Since then she created her own style out of her Russian ballet education, her adoration for William Forsythe and Butoh due to living in very small student flats. Through her passion of dance she became a Screendance Designer which means she creates video dances for screen and stage as well as hosting the international Media-Arts-And-Dance mailing list and video-blogs dance and technology events worldwide. www.creationeditor.co.uk


Websites:

http://www.creationeditor.co.uk/  (choose screendance)
http://www.creationeditor.co.uk/Neu3.htm
http://vimeo.com/creationeditor
http://www.youtube.com/user/CreationEditor#p/u/13/jiityFM-8X8
http://www.youtube.com/user/CreationEditor#p/u/21/iFhO2GSobVs



Monday 16th August: Choreography: Corinne Jola. Performers: Corinne Jola, Luisa Frei, Larissa Szymanek
Music Composer: Ross Whyte
 
Title: What’s coming off?
 
Three female performers are trapped in space, executing unfamiliar routines. Sometimes, we can get a glimpse of their individual movements. What do you see when you watch them? Do you feel what they feel? And, what is the role of the musician in this setting? Inspired by neuroscientific findings on empathy and the audiences’ kinesthetic response, the three performers have been working in collaboration with the musician to create this performance especially for the Fringe event.
 
Corinne trained independently and at the IWANSON School of Contemporary Dance Munich. She received her MA in Choreography at Laban Trinity College London in 2008. Her other background is cognitive Neuroscience; she is currently working as a post-doctoral research assistant on the spectators response to watching dance (see www.watchingdance.org <
http://www.watchingdance.org/> ). Her interest as a choreographer is to awaken the performers’ authentic movement vocabulary and to enhance their sensory awareness to create a strong sense of presence. She has worked with professional dancers but particularly enjoys working with non-trained performers. Her works have been staged in Switzerland and the UK. She has received several funding for her practice as research, such as the Rebekka Skelton Fund (UK) and she has been invited to a number of festivals, such as the ‘TanzTage’ in Olten (Switzerland), ‘Tanz Hoch Zwei’ at TanzFabrik Berlin, or the ‘Deptford X’ festival in London.



Tuesday 17th August: Hagit Yakira and Takeshi Matsumoto. Title: 2B


A piece illustrating a fragmented picture of two people meeting in one place, in an encounter that manifests itself in intimacy, competition, a challenge, tenderness and care.


Hagit Yakira is a choreographer, performer and a dance teacher currently based in London. She graduated from the Music and Dance Academy in Jerusalem, Israel in 1999 and the Laban Centre 2006, London. She is also a qualified Dance Movement Therapist since 2003. In recent years, after years of performing and teaching dance internationally, she has been developing her own choreographic work; creating dance theatre performances. She had won two prizes for her choreographies, first prize in Kajaani choreography competition in Finland and the second prize in Burgos New York competition in Spain. Her works are being performed and received very good reviews around the UK, Europe and Israel in different festival and dance events. Hagit is also is a guest choreographer at The Place and at Laban.

Hagit is creating small scale contemporary dance theatre pieces, with an attempt to create intimate, personal and honest performances. In her work she deals with different aspects of relationships between people and her aim is to develop a personal style which based on collaboration with different artists from various art forms.  Her work allow a personal expression of the artists involve in the creation.


Website: www.hagityakira.com  and email hagit@hagityakira.com



Takeshi Matsumoto is an actor and performer with a broad experience in performing both for theatre and dance productions. He has experienced various styles of performance such as physical theatre, butoh, Japanese folk dance and Japanese drum, contemporary dance (dancing for Christian Duarte, Azure Barton and Henri Oguike as part of Transition Dance Company at Laban, Darren Johnston for a year production).

He trained as an actor in Japan and as a dancer both in Japan and Laban –London.  Takeshi is now studying MA in Dance Movement Therapy.




Photographs by Julia Burstein http://www.juliaburstein.com



Wednesday 18th August: Hagit Yakira and Takeshi Matsumoto


see above


  


Photographs by Julia Burstein http://www.juliaburstein.com



Thursday 19th August: Nicola London. Title: The Rock



This piece represents a battle of two opposing emotions that can be between two people or a single person. The dancer’s movements relate to an emotional fluctuation in which one dancer is unable to live without the other whilst the other cannot live with the other. They both share moments which relate to these feelings. The situation is useless because one scared of security friendship and closeness pushes the other away whilst the other is scared of being lonely and having no one. This creates a type of push, shove and suspension in the movements, as they both fight to loss their dependence on the other.


Choreographer:  Nicola London


Nicola is currently studying for a BA (Hons) Degree in Theatre Dance at London Studio Centre, and is looking forward to going into her third year where she will be going into Intoto the contemporary company. In the future she hopes to expand her knowledge, experience and creativity in choreography as well as physical theatre, design and creative writing. She is fascinated with all aspects of the theatre and is hoping to take an MA in the future to gain greater knowledge in the creative process of performance art.



Dancers: Laura Grover & Hanna Bardall 


Laura is currently a second year dance student at the London Studio Centre studying for a BA (Hons) Degree in Theatre Dance. She has performed in many pantomimes and was a finalist in the Miss Dance of Great Britain held in Blackpool. In 2008 she was The Kent and Sussex Modern Champion. In 2009 she performed at the London BT Awards and is very excited to be performing at the Edinburgh Fringe Festival.


Hanna is currently training at the London Studio Centre, and from September will become a member of Intoto, the school's third year contemporary company. After graduating, Hanna hopes to pursue a career in contemporary dance, with the aim of joining a professional company.





Friday 20th August: Infinite Dance Company. Title: Size Zero



Infinite Dance is a company with the ethos to create a social, political and culturally creative dance platform that is diverse and inclusive. Working and collaborating with various artists and people, Infinite manifests boundless expression through collaboration in digital media and live dance performance. Previous company projects include the study and use of stop motion animation through collaboration with artists in moving image and digital media. Choreographically, Infinite Dance produce work with emotional and moral messages, and aim to inspire a revelation within its audiences.


 Infinite Dance is a brand new company started in 2010 by trained contemporary dancers, Amy Rennie and Kayleigh Lush. Both studied BA Dance at Middlesex University specialising in Graham, Humphrey and Release techniques, and have strong backgrounds in community dance choreography.



Saturday 21st August: Infinite Dance Company. Title: Size Zero


               


Sunday 22nd August: Sabine Klaus Title: Back to My Roots


Sabine Klaus Creation Editor has performed internationally for more than ten years starting up on her own while she was still at school. Since then she created her own style out of her Russian ballet education, her adoration for William Forsythe and Butoh due to living in very small student flats. Through her passion of dance she became a Screendance Designer which means she creates video dances for screen and stage as well as hosting the international Media-Arts-And-Dance mailing list and video-blogs dance and technology events worldwide. www.creationeditor.co.uk


Websites:

http://www.creationeditor.co.uk/  (choose screendance)
http://www.creationeditor.co.uk/Neu3.htm
http://vimeo.com/creationeditor
http://www.youtube.com/user/CreationEditor#p/u/13/jiityFM-8X8
http://www.youtube.com/user/CreationEditor#p/u/21/iFhO2GSobVs



Monday 23rd August: Anthony Middleton. Title: 'Manuum'



Anthony was trained at the Northern School of Contemporary Dance, and has danced works by Russell Maliphant, Paul Roberts, Freddie Opoku-Addaie and is currently a member of the 'BalletBoyz' dance company, whilst also creating works with 'Non Compos Mentis Dance Collective'.

Anthony's Artistic Ideas:

I am most interested in exploring the limits and possibilities of articulation in the body. In addition to this fundamental idea, I am particularly interested with exploring the possibilities of fluidity of movement and energy in movement, including the relationship with the body to the floor. My vocabulary is one that is designed to be very sensual/ textural, and has a strong somatic focus, whilst maintaining emotion and theatricality.


For more information about Anthony's work, and for links to his YouTube channel, click:


http://themiddletoncorpus.tumblr.com/



Tuesday 24th August: Anthony Middleton. Title: 'Manuum'


 


Wednesday 25th August: Deborah Renzi. Title: Caroleen


 Born in Italy in 1987 Debora trained in ballet for 7 years and she graduated in 2010 from the Northern School of Contemporary Dance. During her degree she had the opportunity to work with many choreographers and teachers and she developed an interest in exploring the limits of the body in a  improvisation context. She is  particularly interested in exploring the relationship between movements  and emotional impulses. She focuses on the reason behind movements trying to push her boundaries avoiding the interest on the simply aesthetic aspect of dance. She is also interested in the relationship with technology, and in the creation of dance films for a project in Italy. 



Thursday 26th August: Isabel Slingerland and Anthony Middleton. Title: Certain People



 Isabel Slingerland: Born in Rotterdam, in the Netherlands. Isabel started her training at Codarts Rotterdam Dance Academy, in the Netherlands. Then continued her training at Copenhagen Contemporary Dance School, Denmark, and is now a third year student at Northern School of Contemporary Dance.


Anthony Middleton: Born in Yorkshire in the UK. Anthony trained as a gymnast for 10 years before he started his dance training at Northern School of Contemporary Dance. He also currently is a member of the Ballet Boyz Dance Company, based in London.


Anthony and Isabel create work together under the name Non Compos Mentis Dance Collective

http://www.ncmdancecollective.blogspot.com/



Friday 27th August:  Deborah Renzi. Title: Caroleen


 Born in Italy in 1987 Debora trained in ballet for 7 years and she graduated in 2010 from the Northern School of Contemporary Dance. During her degree she had the opportunity to work with many choreographers and teachers and she developed an interest in exploring the limits of the body in a  improvisation context. She is  particularly interested in exploring the relationship between movements  and emotional impulses. She focuses on the reason behind movements trying to push her boundaries avoiding the interest on the simply aesthetic aspect of dance. She is also interested in the relationship with technology, and in the creation of dance films for a project in Italy.


Saturday 28th August: Debora Renzi, Anthony Middleton & Isabel Slingland

New Trio created for 23 Feelings in Dance